The QGI is proposing to run one day workshops in October. We are seeking expressions of interest from groups who could act as "hosts" for one of these workshops. The bulk of the places at the workshop could be taken by members of your group, but the workshop would be open to any QGI member. Non-members would need to join to do the workshop. The venue could be where your group usually meets, or at another meeting place / hotel. Depending on what skill or technique or project most of your group's members would be interested in, we will source a workshop leader. Traditional or contemporary style of work can be catered for.
At this stage we are just asking if you/your group would be interested in a workshop in October. We hope to run workshops in at least two regions, but the exact location will depend on interest from our members.
If you are not a member of a regular group, this might be a great way to meet other quilters!
Reply by email to firstname.lastname@example.org
Saturday, 27 July 2013
Friday, 26 July 2013
Saturday, 6 July 2013
I have been making a charm quilt for a few years. It started from a charm square exchange amongst friends. Every month we swapped ten 5 inch squares with each other, building up a great collection of different fabrics.
|Section of Charm Top|
|charms grouped by colour and value|
The template is marked with what becomes the centre of the four-patch block and with the edge of the four-patch block. For a 4 inch charm, place the centre of the template in one corner.
|4 inch charm showing placement of template|
|5 inch charm showing placement of template to outer edge|
|cut patches a bit larger than the template|
I sorted my charm squares by colours and patterns, then grouped 4 similar values together. These then became the pinwheeling corners of 4 adjacent four-patch squares. Working on a design wall is the easiest way to keep track of what will go where! It is also a good idea to pop the patches up on the wall one day and leave them to be sure that you still like the arrangement the next day.
|Design Wall 1|
|Design Wall 2|
|ready for chain piecing|
To keep track of which patch goes with which takes a bit of forward planning. I worked with the vertical column of four-patches. Pair the patches starting from the top of a column, matching just the right angled edge.
When pressing, press always towards the "fatter" patch. This means that sometimes you will be pressing dark over light, but it makes it easier to match the centre of the block.
|flipped, ready for pressing, "fat" patch on top|
|paired patches pressed (try saying that three times fast!)|
Match the centre seam of each four-patch square, the outer edge will be trimmed after sewing.
|match the centre seam only, the seam allowances will nestle against each other|
|centre of four patch pressed flat|
|ruler lined up to trim the four-patch|
Trim two sides first, then flip the four-patch around and trim the other sides.
|two sides trimmed, two more to go|
|all four sides trimmed|
Repeat for each of the tilted four-patches. Then stick them back on the design wall until you are ready to sew all the four-patches together.
|tilted four-patches back on the design wall|
The extra cutting needed in this technique may not suit everyone, but it certainly makes the piecing easy! Only one edge of the patches in the first seam has to be matched and only the centre of the four-patch has to be matched. The completed tilted four-patches are exactly the same size and the final assembly is very straight-forward.
I have three quarters of this quilt made. It is huge! The tilted four-patch finishes at 5.5 inches. I wanted to use up the charms I had, so the overall quilt is 22 four-patch by 18 four-patch. That's 121 inches by 99 inches!
Once it is finished and quilted I will post another image.
Frances McCarthy (Cork)